Assignment: Developing Schemas

Assignment: Developing Schemas

Assignment: Developing Schemas

Assignment: Developing Schemas

Assignment: Developing Schemas

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In addition to developing schemas about the media, children can actually enhance their cognitive thinking by spending time with certain technologies (see Subrahmanyam & Greenfield, 2008). For example, studies show that practicing certain types of video games can improve dynamic spatial skills in both children (Subrahmanyam & Greenfield, 1996) and adults (Feng, Spence, & Pratt, 2007). There is also evidence that video game playing improves strategies for dividing visual attention, presumably because

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players must cope with events that occur simultaneously at different places on the screen (Greenfield, deWinstanley, Kilpatrick, & Kaye, 1996). In addition, listening to a song seems to stimulate imagination more than watching a music video of the same song does (Greenfield et al., 1987). All of these studies suggest a kind of interactive relationship between media exposure and schematic processing and development.

To summarize here, children can call on larger stores of remembered information across a variety of domains as they grow. In addition, they can integrate and combine information in more complex ways, forming more elaborate connections with what they already know (Siegler, 2005). In other words, their schemas become more elaborate and differentiated, and thus their interpretations of media content become richer and more complex.

Having a great deal of knowledge and experience in a given area has all kinds of benefits for cognitive processing. Compared to a beginner, a veteran has familiar concepts and ready-made strategies to apply to a problem (Siegler, 2005). Given that the terrain is familiar, the expert expends less cognitive energy and is free to apply mental workspace to high-order activities such as metacognition (Flavell et al., 2002). Consider for a moment how a 6-year-old might respond to a cigarette advertisement in a magazine compared with how a 16-year-old would process the same message. The 6-year-old presumably has never smoked, has little knowledge of how the lungs work, is unaware of the legal battles being waged against the tobacco industry, is not cognizant of who paid for the placement of the ad in the magazine, and has little experience with the cost of various products in a grocery store. The teenager certainly has less experience than an adult would have in this domain, but compared with the grade schooler, the adolescent brings a much broader knowledge base from which to draw in interpreting and evaluating such an ad.

You must proofread your paper. But do not strictly rely on your computer’s spell-checker and grammar-checker; failure to do so indicates a lack of effort on your part and you can expect your grade to suffer accordingly. Papers with numerous misspelled words and grammatical mistakes will be penalized. Read over your paper – in silence and then aloud – before handing it in and make corrections as necessary. Often it is advantageous to have a friend proofread your paper for obvious errors. Handwritten corrections are preferable to uncorrected mistakes.

Use a standard 10 to 12 point (10 to 12 characters per inch) typeface. Smaller or compressed type and papers with small margins or single-spacing are hard to read. It is better to let your essay run over the recommended number of pages than to try to compress it into fewer pages.

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Likewise, large type, large margins, large indentations, triple-spacing, increased leading (space between lines), increased kerning (space between letters), and any other such attempts at “padding” to increase the length of a paper are unacceptable, wasteful of trees, and will not fool your professor.

  • The paper must be neatly formatted, double-spaced with a one-inch margin on the top, bottom, and sides of each page. When submitting hard copy, be sure to use white paper and print out using dark ink. If it is hard to read your essay, it will also be hard to follow your argument.

 

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